Wednesday, August 6, 2014

Cinemalaya X Day 4 - Hustisya

Cinemalaya X Day Review - Hustisya

image from cinemalaya.org


Highlights
- Nothing short of exceptional subdued acting from Nora Aunor
- Ambitious film that aims to tackle very complex social issues
- The screenplay makes you cheer for the anti-hero protagonist despite her flaws and faults
- Rosanna Roces leaves an indelible performance, that voice remains in your head even a few scenes after. Reliable performance from Chynna Ortaleza
- Biring offering letters and money to the city of Manila so she will be accepted - that was visually poetic
- The first 30 minutes of the film will lock you in through strong visuals, relatable characters and a highly-interesting premise
- Some attempts at satire actually worked
- Biring's unforgettable laugh at the film's end

Lowlights
- The same ambition may have led to a confused storyline that wanted to touch on everything, and in some cases all at the same time
- Several non-relatable characters who were either too serious(attorney) or too corny (ringlord), in the process detaching the viewer from the logic of the treatise
- Unfocused direction that undermines the fluidity of story development

Rating: 6/10

Cinemalaya X Day 4 Review - Dagitab




Highlights:
- Intelligent, insightful, and thought-provoking screenplay.  After watching Hari Ng Tondo, here in Dagitab we felt respected.
- Unforgettable lyrical scene where Issey and student, Gab lay on the beach and the waves come by
- Lines were poetic and unforgettable.  I imagine this will be quoted and RTed a lot "We had to meet somewhere between teenager and 45.  As if we had to dance between rainfall and summer."   And another line was "Kapag pagod ka na, kailangan mo lang magpahinga, di mo kailangang umalis"
- Full development of character enables the viewer to respect their flaws and absurdity
- Eula Valdes renders a very complex characterization of a woman that is both manic and melancholic.  Her all-white studio pictorial summarizes how brilliant an actress she is in this film
- Nonie Buencamino and Martin del Rosario both deliver solid performances

Lowlights:
- Felt like it was 15 minutes too long.  Though I understood later that the film was originally 3-hours long.
- Other viewers might be thrown off by Jimmy's passion over supernatural elements

Rating:  9/10

Tuesday, August 5, 2014

Cinemalaya X Day 4 - Hari ng Tondo


image from cinemalaya.org


Highlights:
- Editing.  The film's ability to jog between comedic and dramatic rhythm is allowed by masterful editing
- Robert Arevalo is in his fighting form
- LSS-inducing Sige Lang ng Sige, and how relevant it is to the film
- The director and the actor watching the film with us

Lowlights:
- Attempts to humor that mostly fell flat.  There were times when we felt insulted after a series of mistimed jokes
- While some twists are unpredictable, they seem illogical
- Questionable development of salient characters like the daughter and the son of the "Hari ng Tondo"
- Was the film trying to generate a few cheap laughs from personal disabilities?  Did not work for me, though a part of the audience were laughing
- Can criticize the actors for seemingly lack of vibe, but as most of the characters seem one-dimensional, it all points to the screenplay.  There was very limited attempt to develop the characters of the antagonists, so many of their actions seem arbitrary. (What happened to the son and daughter who seem like they are only after the money of their father and not care for him at all).  The problem with arbitrary, is that everything that follow now seem illogical
- It was just disappointing, because the plot had a lot of potential

Rating:  4/10

Cinemalaya X Day 3 - Bwaya


image from cinemalaya.org

Highlights:
- Angeli Bayani conducts an acting masterclass in every scene.  The advanced course was when she first learned that her daughter is gone
- Spectacular cinematography.  The panoramic aerial views are like paintings, scene after scene after scene
- The visuals and the background voice-over story-telling provide a perfect setting for the impending danger
- Commendable performance by Karl Medina
- The scene where the trailer was taken from was masterfully shot

Lowlights:
- Confused storyline, indecisiveness on how to embrace the juxtaposition between real-life and film.
- There was uncertainty on the development of parallel documentary scenes, making it seem like an after-thought
- Everything went downhill after the very important scene

Rating: 6/10

Monday, August 4, 2014

Cinemalaya X Day 3 - K'Na the Dreamweaver


K’na, The Dreamweaver


abaca strands given away as you exit the movie house

Highlights:

- The Musical score is divine.  T'boli beats intertwine with dialogues, succinctly punctuating the looming tension
- Cinematography treats Lake Sebu as a major character of the film.  Some shots could very well be a Department of Tourism ad
- Superb costume design complimented with steady camera work literally adds a colorful dimension to lengthy shots
- Mara Lopez was believable. Commendable restrained portrayal from Nonie Buencamino 
- Kudos to the actors for never waning emotions despite the need to speak in a different language throughout the film
- The dilemma is more than choosing peace in her warring clan over love, as the film synopsis suggests.  The geography of the land and the history of the clans were laid out very well in the script adding another dimension to a much more complex conflict.

Lowlights:
- Waste of Alex Medina's talent.  I think he spoke all of 1 word - "Stop!".  
- Resolution of love triangle was disappointing.  I am referring to how it was executed rather than the resolution provided, as I believe saving someone's life in that culture really mean a lot.  It was just frustrating that the conflict suffered by K'Na was resolved haphazardly so the wedding pushes through   

Rating: 8/10

Cinemalaya X Day 2 - Mariquina


Mariquina

Based on synopsis and the trailer, I thought this could be top contender for many awards.


photo from cinemalaya.org


Highlights:
- Exceptional Ricky Davao. the scene at the Chinese restaurant when he was eating fried rice telling his daughter not to ask about her mother, ah! riveting.  
- Mylene Dizon can do anything.  Her attack on a daughter's waning love that leads to apathy is simply sublime. Bing Pimentel was surprisingly dominating in many scenes
- The flashback scene where a very young Imelda was followed by a camera and "tours" the audience their shoe factory was a visual treat
- Biggest surprise was Barbie Forteza.  I did not know she can deliver such complex characterization. She was believable in a performance sans the usual telenovela acting
- Solid ensemble acting
- Mariquina is clean and beautiful here
- Many viewers liked the film a lot.  It seems it is on its way to win major awards, maybe I just missed the point.

Lowlights:
- Screenplay was mainstream.  And I don't 100% mean it in a negative way.  In fact, I thought the script was solid, well-thought and intelligent most of the time.  But ordinary.  It is neither bold, nor daring and seemed constrained by a lot of things.  This is Cinemalaya! 
- The ending, well never-ending.  And when it does, how predictable.   Among the movies in the New Breed, this will most likely be the one to be shown outside the festival.  And people will likely watch.

Rating: 5/10

Cinemalaya X Day 1 - Shorts A

We said we will post our full review once the festival is over.  We hated reviews that give too much of a plot and of course spoilers.

UPDATED on 8/10

****************************
We were very impressed with last year's shorts, so we said will watch them first this year.

REVIEW SHORTS A

Asan si Lolo MĂȘ?

of symbolism and syllogisms




Highlights:
- very insightful
- crisp editing, very tight screenplay.  It was light but deep at the same time.  Each viewer may take home something different from the film.
- a film commentary on familial relationships that is neither preachy nor sugarcoating
- this is crazy that actually works and made sense

Lowlights:
- acting.  While Sheenly Gener was a joy to watch, Rob Sy was cartoonish.  I know this was a comedy, but there is a fine distinction between comic timing and silly acting that becomes closer to farce than anything else.
- inconsistent camera work.  Sometimes the cinematography was brilliant, at times it was shaky

The script and the idea behind the film is very creative.  And the highs outnumber the lows overwhelmingly.

Rating:  9/10


Padulong sa Pinuy-anan

runner-up in the 2014 Sinulog Short Film Festival




Highlights:
- 90% of the movie was actually good
- good editing.  the scenes happen at a fast pace, without compromising the integrity of the story.
- some shots were beautifully done especially the long shots
- some lines are good such as when the visitor asked his host why she and her son are helping him - "it's in our culture".  Makes you ponder on what really is in our culture.  Because not a few minutes ago, the same person was duped of most of his belongings.  Maybe that's also in our culture too.

Lowlights:
- 45 seconds too long.  Why the need to always have a happy cheesy finish
- Towards the end, the premise of the film including editing collapsed.  Suddenly, everything became dramatically predictable.  And for a 19minute film, that is a curse.

Rating: 4/10



The Ordinary Things We Do

what others perceive as weird, different, abnormal may very well be just one of the ordinary things we do




Highlights:
- unapologetically creative.  Each viewer might have a different take on what they have just witnessed.
- nothing I have seen before.  A unique way of portraying differences and similarities by way of gender expectations
- thouroughly exciting.  Suddenly you start to feel like a voyeur yearning to know what happens next.
- brilliantly crazy.  As you await every move, you think of the hundreds of permutations of interpretations there could be.  Is the cross a symbol of the rejection of religion who is mostly again same-sex marriages?  Will the heterosexual couple do anything else, and is that the representation on what ordinary is?  Is the removal of the altar a representation of what being stripped of everything looks like?
- you crave to find meaning on the little actions and even on the non-action in the film.  I think this is the power of this film.  3 of you discuss, and none of you agree.  For a 12 minute movie that says nothing, you find you and friends discussing the movie for hours.  Indeed a powerful film.

Lowlights:
- minor asymmetrical movements.  In this film, there is a need to be precise given the layout of the 3 screens.  When the actions are out of synch from each other, the film might lose its meaning.

Rating: 9/10


Tiya Bening

weathering Alzheimer's




Highlights:
- excellent sound and visuals during the intro.  It set a very good tone for something suspenseful happening
- the first scene was riveting, as if zombies or other supernatural beings would come from anywhere to attack

Lowlights:
- but there were no zombies and there were no supernatural beings.  So the riveting intro was completely disconnected with the whole film
- all of a sudden, sound faltered, as listening to the phone conversation of the caregiver and the daughter were almost incomprehensible
- unfortunately the rest of the film start to falter after the intro.  I primarily attribute it to the acting. Lackluster and lifeless reading of characters.  Or well, maybe the script.  Because it left underdeveloped characters you stop caring about.  And this film tackles Alzheimer, what a shame!
- wasted opportunity to connect especially given a topic as personal and as relatable as this
- In summary, the film managed to make you not care about a senior citizen suffering from Alzheimer's whose daughter is an OFW abroad.  Yes, that bad.

Rating: 2/10


Mga Ligaw na Paruparo

last year's Cinemalaya's Best Short Film director is back




Highlights:
- Maria Isabel Lopez in a short film.  She dominated the 2 scenes she was in.  She was fantastic in an unusual role for her
- script and actor's line are mostly good, and most of the times delivered well.
- editing is not bad.  Not spectacular, but not bad either

Lowlights:
- Predictable.  and that is probably the worst adjective for a short film.  I have read this joke in my email back in the 90s, so I was terribly disappointed that it was the "twist"
- The film had big potential, but never really became solid because several conflicts were vaguely resolved and done haphazardly

Rating: 4/10

CINEMALAYA X: A Decade of Connecting Dimensions





Like last year, we committed to watching Cinemalaya this year.  As always, the line-up of feature films is very intriguing.  This year, more and more superstars are going indie.   Nora Aunor, Richard Gomez, Dennis Trillo, even Ai-Ai delas Alas are all in.   Of course indie-loyals have a  movie or two - the Buencaminos, Mara Lopez, Alex Medina.

We are most excited about how Philippine indie have become in the past X years.  We wonder who watches Cinemalaya this year.

Here are the list of entries in Cinemelaya X.

New Breed category
1. #Y by Gino Santos
2. 1st ko si 3rd
3. Bwaya by Francis X.E. Pasion
4. Dagitab (Sparks) by Giancarlo Lauro C. Abrahan V
5. Dayang Asu by Bor Ocampo
6. K’na, The Dreamweaver by Ida Anita Del Mundo 
7. Mariquina by Milo Sogueco
8. Ronda by Nick Olanka
9. Separados by GB Sampedro
10. Sundalong Kanin by Denise O'Hara/Janice O'Hara

Directors Showcase 
1. Asintado by Louie Ignacio
2. Hari ng Tondo by Carlos Siguion-Reyna/Bibeth Orteza
3. Hustisya by Joel Lamangan
4. The Janitor by Michael Tuviera
5. Kasal by Joselito Altarejos

We are most excited about:
1st ko si 3rd - Nova Villa and Freddie Webb reunion (Ines and Jimmy Capistrano, remember?) is a dream come true for many of us who grew up in the 80's Chicks-to-Chicks.   I probably would not care if it is a good film, you watch this for sentimentality reasons

Hustisya - Ate Guy again in a Lamangan film.  Enough said.

Mariquina - the plot, the script by last year's best director and best film winner

Hari ng Tondo - we miss CSR.  It's been a while that I could not remember his last film.  So a must see for CSR fans and even non-fans